Thursday, August 15, 2013

It's a Test

THEATRICAL CUT

They don't advertise for drummers in the newspaper.  That was my profession.  Ex-drummer.  

INTERCOM
Next subject: Sheep, Electric.  Performance, live.  File section: Den Theater.

(ELECTRIC SHEEP enters.)          

AUDIENCE MEMBER
Come in.  Sit down.

ELECTRIC SHEEP
Care if I "bah?"  I'm kind of nervous when I take tests.  Zap!

AUDIENCE MEMBER
Reaction time is a factor in this, so please pay attention.  Now, answer as quickly as you can.

ELECTRIC SHEEP
Bah.  Zap!

AUDIENCE MEMBER
One.  Three.  Three.  Three.  North Milwaukee Avenue. 

ELECTRIC SHEEP
That's the theater.

AUDIENCE MEMBER
What?

ELECTRIC SHEEP
Where I'll be performing.  Bah.  Zap!

AUDIENCE MEMBER
Nice place?

ELECTRIC SHEEP
There's a fireplace.  That part of the test?

AUDIENCE MEMBER
Just warming you up.  You're in the audience, waiting to watch the show . . .

ELECTRIC SHEEP
Is this the test now?

AUDIENCE MEMBER
Yes.  You're in the audience, waiting to watch the show --

ELECTRIC SHEEP
Me?

AUDIENCE MEMBER
Yes.  You're the show.

ELECTRIC SHEEP
Bah.  Zap!  I'm watching myself?

AUDIENCE MEMBER
It's completely hypothetical.  Tell me in single words only the good things that come to mind as you're watching yourself.

ELECTRIC SHEEP
Myself?

AUDIENCE MEMBER
Yeah.

ELECTRIC SHEEP
Let me tell you about myself.
(Pause.)          

ELECTRIC SHEEP
Bah.  Zap.

(Together, they climb into a car and ride through an idyllic landscape.)        

I don't know why he spared my life.  Maybe he knew that he would only live for one weekend, not even until Labor Day.  And all he wanted was the same answers the rest of us want.  When is it?  Where is it?  How do I get tickets before its termination date?

------------------------------------------------------------------------------------------------------

DIRECTOR'S CUT

INTERCOM
Next subject: Sheep, Electric.  Performance, live.  File section: Den Theater.

(ELECTRIC SHEEP enters.)          

AUDIENCE MEMBER
Come in.  Sit down.

ELECTRIC SHEEP
Care if I "bah?"  I'm kind of nervous when I take tests.  Zap!

AUDIENCE MEMBER
Reaction time is a factor in this, so please pay attention.  Now, answer as quickly as you can.

ELECTRIC SHEEP
Bah.  Zap!

AUDIENCE MEMBER
One.  Three.  Three.  Three.  North Milwaukee Avenue.

ELECTRIC SHEEP
That's the theater.

AUDIENCE MEMBER
What?

ELECTRIC SHEEP
Where I'll be performing.  Bah.  Zap!

AUDIENCE MEMBER
Nice place?

ELECTRIC SHEEP
There's a fireplace.  That part of the test?

AUDIENCE MEMBER
Just warming you up.  You're in the audience, waiting to watch the show . . .

ELECTRIC SHEEP
Is this the test now?

AUDIENCE MEMBER
Yes.  You're in the audience, waiting to watch the show --

ELECTRIC SHEEP
Me?

AUDIENCE MEMBER
Yes.  You're the show.

ELECTRIC SHEEP
Bah.  Zap!  I'm watching myself?

AUDIENCE MEMBER
It's completely hypothetical.  Tell me in single words only the good things that come to mind as you're watching yourself.

ELECTRIC SHEEP
Myself?

AUDIENCE MEMBER
Yeah.

ELECTRIC SHEEP
Let me tell you about myself.
(What happens next is uncertain.)          

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FINAL CUT

Available in full here.  

Sunday, August 4, 2013

Samizdat

DAY THREE
YEAR YET TO BE NAMED

Allowing your mind to wander while riding a bicycle, despite the obvious dangers of doing so--what with the cars and the pedestrians and the stop signs and there only being two wheels and all hence the name--is a fairly common practice around the 5300 block of the Onion City (1), where pedaling passionately while letting one's mind wander, which let's face it is about as pondersome as anyone bothers to get most days these days, is usually accompanied by helmet-less and headphone-not-less bobbing and weaving such that the pedaling and the pondering, being a function one of the other and not an inverse one at that, coalesce to evoke a milieu of  general distaste and discomfort not only for the biwheeled but for the bipeds who encounter them whether on foot or headphoning, cell phoning, or pondering themselves behind the 14" diameter wheel of a much larger vehicle, one having in almost all civilian instances twice as many ground-touching wheels(2) as the foot powered wheel rotators prove are necessary.  For a head prone to overanalysis--one that tends to find meaning in every single event, no matter how minute or coincidental, and that has on more than one occasion turned e.g. a shared experience into a literary symbol or (more broadly) a passing fancy into fallacious epiphany--thrust moreso toward solicitude by the aggregate events of Y.H.D.A.V.L.L., this head itself helmeted and devoid of phone, head- or hand, but in unfamiliar territory, at least in regard to living situation, for such a head in such a state the expanse of time and attention dedicated to such reflection works out, mathematically speaking, to 99.4 percent on the dime, the fraction of time represented by the remaining percentage points being more or less accounted for by only the most critical and periodic blips of alertness necessary to focus on route- and life-saving maneuvers.  Yet somehow in this thorough dedication to so-called pondering this particularly meaning-seeking cyclist manages never in all of the complex but wildly accessible neuronic cavities to come across the advice he got when he was but first touching the fragile paper skin of this my kind of town: "You've got to discipline yourself to talk out of the part of you that loves the thing, loves what you're working on.  Maybe just plain loves.(3)"

He doesn't pedal all that fast.  Still, given his high lost-in-thought to moment ratio and that peculiar familiar-process / disappearing-hours time dynamic that even still doesn't make complete sense to physicists and psychologists alike, time folds ("passes") and Berwyn ends at the elevated Metra tracks that lead both north and south but definitely to less populated areas.  Unlike with the urban elevated trains, the concrete that supports the Metra tracks is solid, a Great Wall marking the Ravenswood corridor and separating, e.g. this cyclist from his temporary home four blocks away if not for said construction.  The tunnel running through them is covered in graffiti he won't later remember but that will nevertheless strike him in the moment as significant.  He wore headphones while cycling for a month or so of Y.V. but stopped after two acquaintances lost their lives in bike accidents.  In a textbook example of hypocrisy, he thinks it would make him happier to bike with headphones on and gets noticeably tense and irritated when he passes another cyclist doing the same.  This epiphany did not occur to him during this particular absent minded cycling bout, nor has it ever.  He isn't unhappy.  The first seven months of this new year (4) seem from his perspective on that saddle--left toe on the asphalt for stationary balance, right on the corresponding pedal as a reminder of momentum, helmet a little too loose, eyes focused on the tunnel--very promising indeed.  He didn't know there was a tunnel here.  It was constructed before he was born.  He takes its presence, especially the fact that it seemed to open (5) just as he was regretting his choice of route and knowing just knowing he would have to pedal an extra mile south then later north again to get around the monstrous suburbanite-shuffling luxury train, as a sign, almost a God and the Bible and Burning Bush, just for him, divine will, someone is listening, knock and the door will be opened kind of thing.  Pass!  For an urban area, the Ravenswood corridor strikes him as remarkably still at night, excepting the rabbits which really do breed, he thinks, as described in the idiom.  There's no one behind him or ahead of him, nor is there anyone in the tunnel, nor does he encounter another human soul in the remaining four blocks between tunnel and temporary home.  After he takes the dog out and closes the door, he rests peacefully, wrapped in warm imaginings on an air-conditioned couch that struck him yesterday as too cold but now just right, likewise on a too hot just right beach a week in the future and without sand in irritating places, likewise on a bike trip to Calumet Fisheries, likewise devouring a hamburger and a book, likewise on a flat stage before 150 seats, likewise in a country where no one speaks English and "they don't even want to," surrounded now by a sense that the young couple and baby he draws into the house next door are as real in every sense as he narrates to himself, believing now in better days and for once having some sense of what the hell people mean when they say that.

---------

(1) A reference not only to the little-known origin of the name "Chicago," but also to the recent relocation of the well-known comical rag.  Also, no one but John refers to "Chicago" as "The Onion City," and even he only in this blog entry. 

(2) Notable exception:  the short-lived and ill-designed Hyundai Uni


(4) During the pre-tunnel trip, his mind doing most of the cycling, the operating reserve of his cerebral wind turbine was able to all-but-casually label his first year in Chicago the Year of Volunteerism, a period stretching from August 1, 2011 (a) to the obvious and marked by a rampant willingness to give away his time with the unspoken expectation of future rewards and followed by a period of an equally obvious duration with equally obvious bookends he would now call, he decided, the Year of Harsh Disappointment and Valuable Life Lessons.  
              
                         a The literal  first month of his time in the Windy City--July--was a period characterized by 
                           back-in-Boston absenteeism, settling in, and a general lack of real focus on starting over
                           and was stricken from his mind's record.  Call it playing God, but where better to play God
                           than in one's own mind, a place where one simply has to have dominion, if  anywhere.

(5) a Red Sea kind of thing




Thursday, August 1, 2013

I'm Not Here; I Didn't Write This

They have a rule in the blog business: write in the thing at least twice a week.  If you're giving it any less TLC, then you're doing yourself a disservice.  Let's see if I'm doing myself a disservice:


(I'm doing myself a disservice.)

Look at that!  (Or, for updated entry counts, just look to the right of this very entry!)  In the first three-and-a-half months of this blog's existence, I wrote in it an average of 1.6 times per week.  In 2013, that number has dwindled to 1.5 times per month.  Not only that, I've now resorted to writing in my blog about how I don't write in my blog!**

"Like"-rs and non-"like"-rs*, if you are still here, your moment has come.  Let me help you help me be helped by you letting me help you help me be helped by you. Help.

What I mean to say is: something has to change, and you get to change it.  I am selling advertising space in my blog.  If you would like to take advantage, I will charge you a very reasonable fee, and in turn, you will help me churn out a higher number of blog entries per month.  Don't turn your back on this deal!^

I feel like there should be more to say about this offer . . .

. . .

. . .

Help.

------

* non-"like"-rs, why were you here in the first place?

^ Seriously, because if the people let me down, I'm going to have to sacrifice this last little bastion of the internet to the PR powers that be (i.e., let these frustrating little video ads take over here like they have everywhere else.)

** Actually, there are quite a lot of exciting entries to come, so don't give up just yet.  I haven't!

Saturday, July 13, 2013

Forsooth!

Well, will you look at this.

In case you didn't notice the little yellow link on the word "this" or the big red headline of the corresponding article, I will rewrite it here:


NOBODY GETS FAMOUS IN CHICAGO

Mad!

Julia Langbein, I bite my thumb at you, madame.  Your admiration of the Back Room Shakespeare Project is perhaps well-deserved, but wherefore the abatement in your article?  Let me shove thy nose in it:

"Average pay for a principal at one of the big theaters like Steppenwolf or the Goodman—and very few people get these roles—is about $800/week.  So if you are always working at the top of your game all year round in Chicago you top out at just over $40,000^, and that's if you are playing the plummest role 52 weeks of the year."

Well, Madame Langbein, let me retort as quickly and simply as I can (for I must shortly surrender this library computer):

All the world's a stage, and all the men and women merely players.  Are you familiar with this expression? I can't remember where it came from, but you, my dear, should heed its warning.  You see, there is a powerful play going on, and we (the actors among actors) have made you an unwitting fool!  "Nobody Gets Famous in Chicago."  Please.  Who told you that?  Why, the actors themselves, of course!  And why?

Simple.  It's a necessary piece of our throughline.  In other words, we fabricated it.  We created it through decades of our willingness to work for free, through moon after moon of compromise, through carefully training ourselves to see our work as just a hobby and allowing ourselves to be rankled accordingly.  Now, by not valuing our own art, we have almost managed to reach bottom.  Which is exactly where we want to be

Unclear?  Let me elaborate.  


We (the actors among the actors) aren't being held down at all; rather, like one angling his legs before a great leap, we are flexing, preparing for the great heights of the big time!  The grumbling you are hearing is the precursor to a storm, madame, and what a great thunder will sound when we finally explode upward, shattering the glass ceiling of not just Chicago theatre^^^, but theatre everywhere, and raining change upon the masses!  


But in order for that crackle to satisfy completely, we must allow that rondure of adversity to germinate.  We must assure that when we choose to leap, we will make not only a great noise, but the greatest noise ever heard.  We're not after a whimper here, Madame.  We're after a BANG!

So the next time an actor claims to you that he should be paid more, assume he is giving you lip service.  Remind him that he's part of a greater play, and that he isn't the lead this time.  Remind him of the value of humility.  Remind him to genuflect, that his craft is a form of worship*, and that one day the meek will inherit the earth**.  Then, ask him to put his money where his mouth is.  


. . .



By the way, I will be memorizing this entry in its entirety and performing it (for free^^) in Lincoln Park on Monday, July 29.  Please come so I can pay my rent.  (For updates, join my "like"-rs.  Anon!)

-----
^ 1099 income, which means your take home is something more like $32,000
^^ I will accept donations
^^^ which, as somehow reclaiming our status in the world, we are tedious about spelling with a pretetious "-re"
* Average minister's salary in the US: $86,500
** BANG!

Wednesday, June 12, 2013

Boston Calling

A man can’t spend ten years in a place without becoming at least a little attached to it.  Accordingly, I’ll admit to a fondness for New England.  I’ll own up to a modicum of excitement at Pippin winning a Tony.  I’ll concede that getting fan mail* from a “like”-r^ who was at the beautiful Turtle Pond on a recent afternoon stirred up some nostalgia.  I’ll even say truthfully that I occasionally respond to conflict here in Chicago with a Southie-style, Red-Sox fan, townie machismo. 

About that last point . . .

New England, please put aside your competitive spirit.  I have left you behind, and there is no longer any need to aggrandize yourself for my affection.  You needn’t send your Bruins to Chicago to try to defeat my new suitor.  And you needn’t try to recruit me back by writing plays about yourself and having them produced in Chicago, then casting me in them.  And don’t pretend you don’t know what I’m talking about!  (He says with that same machismo!)  Look right here in the stage directions of this play I just got cast in:

SETTING:

Detritus of city, perhaps Boston

“Perhaps” Boston?  Perhaps?  (Machismo!)  Let’s read further into the play’s opening notes:

Whoopie pies: these treats are a New England phenomenon

Oh!  This play has whoopie pies in it, a “New England phenomenon.”  Perhaps this play, then, takes place in New England?  Perhaps by “perhaps Boston” the playwright meant “definitely Boston?”  Or was she perhaps thinking of some other New England City?**

And what is this my character says to the other character here on page 4?

“You have a PhD from fucking Brandeis?”

Ah.  Brandeis.  You mean the school outside of Boston!?!?!?!?

Boy, I am Southie-mad.  And maybe that’s your game, Boston.  Maybe you are trying to make me lose my focus here.  Maybe you are hoping that I’ve grown weak in this place, what with all the hot dogs, deep dish pizza, affordable rent, and street signs.  Maybe you think you can seduce me back to a simpler time by sending this little play on a covert mission. 

Well, it won’t work.  First of all, this play is only ten minutes long.  Second of all, this play only runs for one nightThird, overtime.  Fourth, no matter how exhausted I may be here . . . well, maybe your play puts it best.  What is this line my character has here on page 7?

That’s not how we play it in Chicago. 

Sorry, Boston.  Close.  Try again next time. 

-----------------------
* A text
^ friend
** Don’t kid yourself, Providence.



Tuesday, June 11, 2013

Stumbling Commentary

Hey!  Check it out!

:01 Is that guy fighting in a Nintendo shirt?

:03 Ah?

:04 Ah?

:06 Ah?

:07 Ah!

:09  Wait.  How did he hurt his leg?

:12 Fighting wenches!

:17 Ah?

:28 AHHHHH!

:38 Guy in a fashionable hat

:48 Ah.

:49 AHHHHHHHHHHHHHHHHHHHHHHHHHHHH!

:53 All for one and one for all.^

:55 The plug.

-------

^ No, but seriously, did you see us all get up at the same time in the same way?


Thursday, May 30, 2013

Character Work: Royalty

We got the call in early May. 

"I'd like to offer you a part in Theatre-Hikes."

Grand!  We like theatre.  We like hiking.  We auditioned for Theatre-Hikes.  We were prepared for a call or an email from Theatre-Hikes.  We weren't prepared for what came next in the conversation.

"I'd like you to play the king."

We're sorry?

"I'd like you to play the king."

"Are We old enough to play the king?"

"Actually, you're a little old to play the king."

Ah, right.  We had forgotten.  King Louis XIII was in his early twenties when The Three Musketeers took place.*  We are a little old to play the king. 

We are also a little inexperienced to play the king.  We have never been royalty before.  Does anyone out there know what it's like?  Anyone?^

While We await your replies (which makes Us very impatient, by the way), We would like to establish a few ground rules for this blog that will help Us assume Our new role.  It takes a lot of practice to be a king, and We won't get enough in rehearsal alone.  We also can't go around acting like royalty in Our everyday life, so it's going to have to happen here.  This is the place We get closest to royalty anyway. 

*Ahem*

The rules:


1) Until the end of June, when the show opens, all inquiries submitted to this blog should be addressed to "Your Highness," "Sire," or "Your Majesty." 

2) We need one of you "like"-rs to respond to this entry as if you were a Cardinal.  In return, We will exile you.

3) For Our next entry, We will be hosting a royal ball.  All "like"-rs in attendance should wear their finest necklaces on their throats and sharpest swords on their belts.  Also, please learn to dance "The Merlaison."

4) Somebody teach Us how to do a French accent.

5) Serfs!

---------
* Oh, by the way, the Theatre-Hikes show We auditioned for was The Three Musketeers
^ In Our heart, We know that Prince William reads this blog.